- Shane V. Charles
- Posts
- Issue No. 52
Issue No. 52

ISSUE NO. 52
An August Issue

Photography by Piet-Albert Goethals
We lean into change not because the path is lit with certainty, but because the very act of leaning is movement. Forward motion becomes its own kind of faith, an embodied trust that momentum carries us toward becoming, even if clarity is absent. Change, after all, rarely announces itself with precision—it arrives in fragments, whispers and hesitations.
ARCHITECTURALLY CURIOUS
Circle of Light

Photography by Clemens Poloczek
The first thing you notice is the play of light. A single circle of sunlight falls across the concrete floor, shifting as the hours pass, marking time like a sundial. The walls are left imperfect, hand-plastered so their textures carry the imprint of human touch. Oak veneer cabinets and silver travertine counters sharpen the simplicity, grounding the interior with warmth against stone and plaster. This is a house where stillness feels intentional—every surface holding both restraint and presence.

Photography by Clemens Poloczek
The Skin of the House
Outside, the façade reads like a painting in earth tones. Lime mortar, pigmented in shades of red and terracotta, gives the walls a dusty, textural depth that changes with the sun. Slatted wood screens offer privacy and shade, while their rhythm of vertical lines adds a subtle modern cadence against the monolithic walls. The house doesn’t sit on the land so much as it seems drawn out of it—geometry rooted in soil, light, and wind.

Photography by Clemens Poloczek
From Above
The house reveals its dialogue with the landscape. The pool stretches as a precise rectangle, its pale stone edging contrasting with the wild grasses around it. A small circular window punctuates the mass of red plaster, a quiet detail that breaks the façade’s solidity. Paths of irregular stone step lightly across the terrain, inviting movement without erasing what was already there. It is less about dominating the site than about listening to it, and responding with clarity and care.
GLOBAL GLIMPSE
The Weight of the Table

Photography by Piet-Albert Goethals
The dining area anchors itself around a monumental table, its surface dark and deeply grained, resting on legs that feel almost sculptural in their solidity. Each chair, carved with rounded backs and sturdy proportions, complements the table’s gravity with quiet strength. Together, the pieces strike a balance between raw presence and refined craft, creating a space where meals become rituals.

Photography by Piet-Albert Goethals
A Room of Soft Layers
In the bedroom, furniture choices whisper instead of shout. A low, linen-draped bed in muted blush grounds the space, while built-in cabinetry is wrapped in a tactile textile finish, offering texture without clutter. The freestanding stone tub adds a sense of permanence—an object that feels both primitive and modern at once. Furnishings here feel less like additions and more like natural extensions of the room.

Photography by Piet-Albert Goethals
Curves and Comfort
A turn in the hallway reveals the living area, where furnishings lean toward rounded, almost pebble-like forms. Deep ochre sofas, with their inviting curves and generous scale, speak to relaxation and gathering. The wooden table, smoothed and elongated, continues the home’s language of organic strength. These pieces, though bold in shape, invite comfort, grounding the room in warmth and ease.
VISUAL COMFORT
A Quilt of Memory

Artist: Cortney Herron, “Kaleidoscope Dreams No. 2, 2025”
The first piece pulls you into a dreamlike fold of bodies, patterns, and earth. Figures bend and stretch across a patchwork quilt, their forms merging with swirling pools of blue that suggest both water and reflection. The use of warm browns, ochres, and greens grounds the work in soil and ancestry, while the quilt itself recalls traditions of craft as storytelling. Every hand, every curve, feels like an echo of inherited memory—an artwork that refuses to stay still, vibrating instead with continuity and care.

Artist: Natou Fall. Artwork: “Jealousy”
Faces in Fragments
In contrast, the second image sharpens into a gaze. Painted in strokes of green, brown, and pale blue, the face seems to emerge from the canvas like foliage breaking through stone. The uneven texture of the paint creates movement, almost like camouflage, reminding us that identity is never static—it shifts with context, history, and perception. The eyes hold you, daring you to see beyond the surface, while the color palette asks you to think about rootedness and transformation at once.
MUSICAL INTERLUDE
What I'm Listening to in August
Yet to lean is to participate in life’s unfolding, to refuse stillness as an answer. What steadies us is not foresight, but the rhythm of motion itself—the quiet courage of shifting our weight toward the unknown.
I’ll see you next week, my friend.
Warmly,
/shane