- Shane V. Charles
- Posts
- Issue No. 20
Issue No. 20

ISSUE NO. 20
A January Issue

Photography by Bijispace
It’s been an undeniably heavy week—my heart is filled with shock and sadness from the devastation in Los Angeles. After calling this city home for over eight years of my life, my family and I feel deeply connected to its vibrant spirit—and there are no words to fully express the pain.
The many places that held our laughter, memories, and milestones—now gone—leave a void that no reconstruction can fill. But if there’s one thing I believe in, it’s the resilience and strength of our community. Together, we’ll move forward—while giving ourselves the space to process and heal. My thoughts are with everyone affected—both physically and emotionally—as we navigate this difficult time.
ARCHITECTURALLY CURIOUS
Nature’s Hidden Décor

Photography by Bijispace
This idea of ‘a simpler way to design’ is all about creating beauty through simplicity. The placement of windows and light sources has as much impact as the materials, colors, shapes, and textures we choose.

Photography by Bijispace
The Art of Light
In simple, pared-back spaces, shadows and natural light become part of our design. Architects in traditional Japanese homes often used translucent shoji screens not just to soften light—but to create shifting patterns throughout the day. This transforms a blank wall into a dynamic art piece—just by harnessing light.

Photography by Bijispace
Walls That Dance
This approach teaches us that light isn’t just functional—it’s a design element that can shape mood, energy, and even the story of the space. You don’t need expensive materials to create impact—playing with textures like matte vs. gloss can manipulate how light reflects and absorbs.
GLOBAL GLIMPSE
Mumbai: The Perfect Amount of Drama

Photography from Josmo
A furniture brand known for its contemporary approach—Josmo—recently opened its first flagship store in Mumbai. The interior incorporates curvy, sculptural details like bespoke shelving and a tassel installation that creates a dynamic interplay of movement and stillness.

Photography from Josmo
From Swatches to Statements
The showroom offers an interactive design experience with a material library full of fabric swatches and finish samples. A sculptural bookcase at the entrance draws attention—combining style and purpose to frame the space. Every detail is designed to encourage exploration in a hands-on and visual way.

Photography from Josmo
Waste That Works
An element that I found interesting is how they use ‘waste sawdust’ to create textured surfaces and coating for walls, furniture, and shelving. This added texture creates subtle shadows and dimensions that elevate even the simplest of designs.
VISUAL COMFORT
Reviving an Ancient Craft

Photography from Earth To People
Deep in the lush forests of British Columbia, a design studio based in New York’s Catskills—Earth To People—debuted its first collection. Instead of cutting down trees, the collection uses wood from storm-felled trees in Squamish—helping to preserve living forests.

Photography from Earth To People
The Power of Tree Resin
At the heart of their process is an age-old secret: tree resin. Used for centuries, resin served as a natural adhesive for tools, ships, and construction. This collection uses resin from pine and cedar trees instead of synthetic adhesives. It’s water-resistant, durable, and biodegradable—offering a sustainable solution that aligns with their environmentally conscious design philosophy.

Photography from Earth To People
A Model of Sustainability
Unlike mass-produced furniture, this approach prioritizes materials with history. The wood they use comes from 300–400-year-old uprooted trees. This sustainable approach turns discarded materials into thoughtfully crafted furniture—creating pieces that tell a story of resilience and care for the planet.
DESIGNER PICK
What I’m Currently Obsessing Over

Photography from Ileana Moro
Dark Tone Paintings
I’m drawn to Ileana Moro’s artwork for the way it feels raw and emotionally deep. She describes her creations as “portals”—allowing ourselves to calm and move closer to self. Her use of dark tones and layered forms tells a story of finding light in the shadows. It’s not just art—it’s an emotional journey.